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It also comes out that she was in a relationship with her boss until recently, not knowing that he was married with kids. Her marriage gets planned with much fanfare and it stresses her out. Meera tells them she hasn't had sex in a year and the birth of her son has taken her away from it.
Veere Di Wedding 3rd Day Collections: This Movie has Earning Rs 13. If you continue without changing your settings, we'll assume that you are glad to receive all cookies on Filmibeat veere di wedding cast. My gripe with the movie is not because it has women spewing abuses. And so out of love for him, Kareena agrees. Retrieved 12 June 2018. The movie is already being compared to Hollywood flicks like The Bridesmaids. Kareena custodes home wanting to talk to her fiancé and learns his father has been arrested for passing bad checks to pay for the wedding that ended up being canceled. Another Hindi film with a similar titlestarringand appeared while the movie was in production. Her most Social Movies are Raanjhana, Sabki Bajegi Band, Tanu Weds Manu Returns, Prem Ratan Dhan Payo, X: Past Is Present and Nil Battey Sannata.
Meera tells them she hasn't had sex in a year and the birth of her son has taken her away from it. Avni, Sakshi and Meera also resolve the problems between Kalindi's father and uncle regarding the will of the old house.
Veere Di Wedding (2018) - I am very sure they will come out soon.
Friends are the new family. Weddings are now as much about parents giving away the bride as they are about friends entrusting her to a man they approve of. Veere Di Wedding gets this fantastic bond right, and gives us four dramatically different kinds of women with agency and spirit. Nobody stands in the way of their decisions. Some girls will always choose to argue, just as some mothers will always choose to harangue. We haven't seen these ladies on screen before, and they will serve as an awakening. India could do with an alarm call. Sometimes we need a movie to tell us what an orgasm means. It's being hailed as a female buddy flick and the girls are open about drinking, having flings and discussing sex, which by and large is taboo in our films, so it's brave in that sense. But it has nothing to do with women empowerment. Once you accept that and watch the film you are in for a crazy ride. Yes, there are loopholes in the story but then it never professed to be taken seriously. It's pitched as a comedy and one needn't always find logic in the fun. Everything is so rosy and pretty in Veere Di Wedding that all the issues are needlessly amplified to build a sense of drama and conflict. The brazen and unapologetic behaviour seen here extends to the number of product placements thrown into the film. The sisterhood of Dilliwali girlfriends for all their rebellion and nonstop whining and profanities ultimately seek validation in the most conventional way. Veere Di Wedding emphasizes on the need to make mistakes and learn from them. The makers are guilty of not following the diktat. In a modern world full of chaos, Shashanka Ghosh's four protagonists try to find harmony in their relationships, both familial and external. Highlighting their journey through deft realism and contrived drama is what she manages in her comedy drama Veere Di Wedding, after being on a four-year hiatus to mourn the failure of the 2014 debacle Khoobsurat. In a hackneyed story that has been sampled in countless art forms before, Kareena Kapoor plays Kalindi, a young, chic woman who is about to get married to her boyfriend Sumeet Vyas of 2-3 years JUST because he proposed to her with a diamond ring. Introspecting her decision through the days before her nuptials along with her equally chic three friends who are confused but more sexually frustrated than her, Kalindi fights her familial issues and inner doubts that are mostly triggered by the blanket controlling of her beau's family in everything that she does, including the wardrobe. Director Ghosh should be lauded for crafting an indomitable chick-flick in Bollywood despite the trite nature of the story and the unnecessary hyperbole. For instance, the controversial masturbation scene involving Bhaskar's character is the most unoriginal thing in the film, which makes me doubt both Ghosh's and the writers' Nidhi Mehra and Mehul Suri intentions behind making this. There are many more scenes that come across as exaggerated, which although are hilarious, could have been soaked with realism to make the film not look like an exercise in man-hating and namesake destruction of the patriarchy. Wonder what's the deal here, after the recent Lipstick Under My Burkha 2017 by Alankrita Shrivastava that also depended on exaggeration and far-right feminism!? Nonetheless, there are a lot of great things to appreciate here: from Kalindi's gay uncles to the incredible performances of Bhaskar, Sonam Kapoor, and Shikha Talsania to the portrayal of men Vyas's and Vishwas Kini's fantastic performance characters to the free dialogues that bring out the best in the film. It's a well-made film even if we disregard the conspicuous and therefore poor placement of ads in the film for HSBS, Uber, and Gulmohar Lane. Plus, if you notice, all the books in the bookshelves in the film look irritatingly unnatural. I'm a 100% sure that these books were borrowed in bulk from a nearby sale those 300 rupees per KG book sale shops that have cropped up these days and stashed in the shelves because never have I seen the books of Bill Bryson, Wilbur Smith, and Danielle Steel in a single room; it just cannot and should not happen. What an amateur work by whoever designed the production set. Enough with the digression; Veere Di Wedding is overall a good effort for a comedy chick-flick and surely paves the road for more such films. Regarding it as crass just because you don't get the point that Ghosh tries to make makes you a hypocrite. It misses a great opportunity to be a masala entertainer and a blockbuster. Veere Di Wedding, an all-girl ensemble comedy, by Shashanka Ghosh, had all the potential for being another wonderful film on friendship like that of Dil Chahta Hai, Zindagi Na Milegi Dobara, but it turns out to be a disappointing take on friendship, life, love, relationships etc. It could have been really a beautiful film, if the focus was on how females bond with one another as well as with the male fraternity, their relationship issues, challenges in lives, their sense of insecurities and of course the girlie-chill-out moments. But none of these were handled with depth. The characters certainly seem real with them being dysfunctional, not so perfect; but shallowness in the screenplay did not do justice to the characters. Occasionally it did appear that the film is picking up, but it did not sustain for long. Even the conflicts introduced in the film were not given much attention. Veere Di Wedding misses a great opportunity to be a masala entertainer and a blockbuster. She is unable to believe in the institution of marriage in spite of saying yes to Rishabh. Shikha Meera Sood , mother of a child, is still struggling to accept the changes in life, when a baby is born and also struggling to come to terms with the fact that her marriage was not accepted by her family. Avni Sonal Kapoor , a divorce lawyer, who desperately wants to get married, but finds it overbearing to deal with her mother Neena Gupta who keeps on pestering her to look into Bharat Matrimony profiles and to get married. And Sakshi Swara Bhaskar , who had a lavish wedding but now heading towards divorce. Sakshi finds it difficult to handle the gossipmonger aunties and also discuss with her parents, although non-interfering, regarding failure of her marriage. All four of them get together when Kalindi fondly known as Kalu declares her marriage with Rishabh. It misses a great opportunity to be a masala entertainer and a blockbuster.